norbert walter peters
composer• sound artist
2014 • Giving concerts as Lutenist
with the duo for Ancient Music:
"Compendio de Musica"
2013 music online:

Phonurgia Nova FR
"nota.thión - after the flood" 2005 (47')
2010-2013 music online:
Danish Radio
"beau - An Electric Fayerie", 2009 (48')
"dépôt de beau songe", 2010 (52')
2006 Wikipedia Registration/en
Wikipedia Insription/fr
- 2010
assignments for composition by
broadcasting corporations at home and abroad:
acoustic sculpturally projects in the
• context of the Donaueschinger
• Musiktage
and the Styrian autumn (‚music protocol‘).
ars acoustica projects: for the
• Bayerischer Rundfunk in
cooperation with the t-u-b-e - Gallery for Radiophonic Art Munich; for the
Deutschlandradio Kultur Berlin in co-operation with the Südwestrundfunk
; for
• Radio France Culture in co-operation
with Deutschlandradio Kultur Berlin/
Goethe-Institut Paris; for the
• Bavarian Radio in co-operation with the
Saarländischer Rundfunk
and the Stadtgalerie Saarbrücken.
As well as
• a theatre production of the Theater Aachen:
radiophonic theatre- and space
project „mériterechkîma“.
• assignment for composition by the
German Radio-Philharmonics Saarbruecken Kaiserslautern
• assignment for composition by the
Deutschlandradio Kultur Berlin
The music of Norbert Walter Peters is since then constantly
presented in broadcasting programs and events at home
and abroad:
Australia and New Zealand,
Asia, South America, Israel
as well as West- and Eastern Europe.


motivic union of the artistic works as trilogy:
music (music piece/
music performance/
ars acoustica);
space (sound installation/
tone staging/ performance);
picture (intermediary form:
imaginary score).

- 1993
guest lecturer at the Saarbrouck Academy of Fine Arts, D
(composition and space experience)
- 1991
conception and organization of
the Audio Art Series
„.... KLÄNGE„ (as guests a. o. t. Rolf Julius, D; Terry Fox, USA/D; Henning
Christiansen, DK; Walter
Fähndrich, CH)
and the EUREGIO
Composition Competition for solo double bass (as a guest interpreter Tadeusz Wielecki, I/PL; jury: Wolfgang Guettler,
Manfred Niehaus, Herbert Nobis) in the Castle of Stolberg as well
as the Performance Art Series in
the Neuer Aachener Kunstverein
(guests: a. o. t. Thomas
F. Fischer
, D; Teresa Murak, PL).
turn strengthened to the Fine Arts (performance/installation), following numerous invitations
of Galleries, Museums, Forums
for Fine Arts at home and
abroad: a. o. t. Basel, CH;
Eindhoven, NL; Warsaw. PL; Roskilde, DK; Kiel, Heidelberg,
Berlin, Cologne, D.
- 1986
concert activities as Lute player
a. o. t. with the ensemble for ancient music: „Compendio de
activities as music reviewer and free journalist as well as since
then activities as a teacher of a
musical instrument: Concert
Guitar, E-Guitar, E-Bass, Vocal
- 1984
composition with Herbert Nobis, Aken.
student-like opera performance in the Theater Aachen: a. o.
together with the Wagner singer
Hartmut Welker and the
concert singer Klaus Mertens (Carl Orff „Die Kluge“).
In between calling up to the civil service in a hospital.
Afterwards studies of guitar and renaissance lute
(Tadashi Sasaki), singing as well
as scientific researches for the
music of the Spanish
Renaissance; Diploma about
a „Contrasting analysis of the
Lute Fugue in g-minor BWV
1000, Violin Fugue in g-minor BWV 1001 and Organ Fugue in
d-minor BWV 539 of Johann
Sebastian Bach“.
- 1981
studies at the Staatliche Musikhochschule Rheinland
(Academy of Music). At first
music theatre (Peter Massmann)
and singing (Else Bischof-
took place the first compositions
and concerts: above all songs
with own texts.
The first guitar teacher is Hans
Michael Koch; singing lessons;
further concerts and broadcast
production (WDR3 Cologne):
Schönberg songs with the
Junge Chor Aachen.
beginning of the musical activities as an autodidact in the
subject guitar.
experience of poplar roaring as
acoustic sculpturally event in
1957 fascinatet from the possibilities
of a Grundig tape recorder of
the uncle from Hamburg.
1954 1954   03-17 born in Stolberg/Aachen
(Aix-la-Chapelle/Aquisgrana) D.
  1953/54   intra uterine shaping by the
singing mother.
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